I have a perfect bag for my lap top. It is made of birch bark, näver in swedish. Unfortunately it has been worn and some of the strands of birch bark are broken.
So I decided to mend it. I do believe in mending instead of just throwing, buying, throwing, buying endlessly.
I have used leather in different brown colours, I cut the material in bands as wide as the originals.
I need help. I have bought yet another pair of vintage shoes. They are a pair of Attila-shoes made in Tampere / Tammerfors in Finland.
The shoes are so beautiful with plenty of wonderful details, very wellmade and not too worn.
But the problem is that the leather feels a bit dry and fragile and I do not know how to treat them. I need to carefully clean the shoes and then apply some sort of moisture. Perhaps a mink oil for shoes which I have used on similar vintage shoes. But will they be miscoloured? I love the light grey with a tiny lilac tone. Vintage-lovers: Please, do you have any advice?
I really enjoyed going to work today. On my schedule was a visit to McCabe fine art gallery in Stockholm for an exhibition with art works by Damien Hirst. It was an exclusive first preview for the press. I am writing about the show for the newspaper of the Church of Sweden where I work as a reporter and art critic.
The art works on display are Damien Hirst’s The psalms. Every piece is referring to a psalm in the Old testament, Psaltaren. 150 art works, as many as the psalms. And they are all made of wings from butterflies, laid out in a perfect pattern.
Hirst is mostly famous for his animals restored in big tanks filled with formaldehyd, the shark with a big gap for example.
David, who wrote the psalms in the Bible turned to God in despair. The psalms were actually prayers. Damien Hirst turns us towards the creation, to what is around us. But he fanatically arrange the reality, like an old school scientist who would like to reach an understanding of reality, and even discover it’s purpose.
There has been a shift in the hierarchy of reality – from trust in God to trust in man. But the power of human is an illusion, we can never rule the world. Unfortunately, when we think too highly of ourselves we get blind for the basic conditions of life – only one consequence is our exploitation of nature.
For about a year ago I bought a blue vintage fabric in London. On sunday I finally started to sew, using a vintage pattern which I found in Norrtälje, a small town an hours drive north of Stockholm. Unfortunately the pattern lacked a few pieces, so I have had to measure and think and measure again. And nor did I have an instruction… so my sewing has been an improvisation. But I am very pleased with the result!
During few moments of spare time I have filmed and edited yet another video about art.
In the film I talk about an art work made by one of the most famous young artists in Sweden today, Linn Fernström. The artvworkbis called Blodkärl and I discuss its resemblance with motifs like Madonna and child. Both are carrying, and do it with tenderness.
My aim with the art films is to help people to learn about art, I would like to shorten the distance between man and art.
You can watch it on you tube! But I only speak swedish.
Lately I have been thinking a lot about crochet and the Swedish notion “förspilld kvinnokraft”, a rough English translation would be something like “wasted efforts made by women”. (What follows below is a generalized picture).
The notion came into use during the 1900’s in Sweden and was a critic against the work made by women in their homes. Both men and women have used the Words to criticize the time and the effort women spent working with their hands mostly to crochet and to embroid.
During the 1800’s the Swedish society and culture, as many other European countries, went from being agrarian to industrial. In the agrarian culture the people were poor, if you see to the level of earned Money. People mainly lived of the land and raised cattles. Knitting, weaving and sewing were the dominant crafts used by women and the things that were produces were every day objects. There is a story about the artist Lina Eriksson from Jämtland that shows how strange and wrong it was for a girl even in the beginning of the 1900’s to spend time doing something else than producing useful things. When Lina Eriksson was watching the cattles alone at the pasture she started to carve in woods. She liked the material and was drawn to it. But her mother protested: Why spend time on something so unuseful? Her mother told her to return to her knitting instead, which was much more useful.
When the industries were able to produce more and cheaper goods more people could and were forced to move to the cities. A new social class, borgerskapet (the bourgeoisie), grew bigger. This meant for many women that they were given a new role – the role of the housewife. Earlier women had an important role at the farms, but when living in the city she lost this position. Instead woman had to stay at home.
She was both locked in, without any possibilities to earn her own money, and faced with a lot of spare time (if she could efford it). So for example crochet and embroidary became the way for women to get use of their time.
Later, this that can be seen like an unuseful and pointless occupation, was criticized both from feminists and from the male society. Feminists thought crocheting was a prison that kept women silent. Feminists wanted women to go out on the streets and fight for their rights instead. The male society regarded crochet as something completely unuseful. Why crochet laces? For what reason?
Feminists had a point, yes. But crochet has suffered enough now!
To me crochet and all the laces all you crocheters out there, and during the history, have crocheted is art. Crochet is not a sign of wasted effort but a sign of an extreme will to be creative.
It is an old and disrespectful and judging opinion to say something else. Of course, this subject also concerns what we see as art. Many today say that the concept art is socially constructed, that means that it is the society that decide what is art and not. Still, in Sweden, we talk about handicraft when talking about certain techniques like crochet, ceramics. But never we use that term when we talk about painting. Why is it so? Why are we still caught in an opinion which disrespect for example crochet?
I believe my crochet is art. And during the last few weeks I have been exploring how to crochet and to express the term waste. I believe we are wasting, in the rich parts of the World, enormous amounts of human effort. In our socities consumption is premiered. Even the Swedish politicians request us to take our reponsibility as Citizens – we have to consume to keep the society in motion. To me working – shopping – working is the worst prison ever invented. I believe we are trapped in an eternal circle of wanting more, and futhermore, we are told to stay in the circle otherwise we are irresponsible to our World. Why do we not say just stop?!
My purple crocheted lace discusses this, I have chosen the colour because it is faitful and symbolizes both spirituality and to refrain. Because of our acquisitivness (habegär in Swedish) we spend our time earning money. And a lot of knowledge will be lost! Crocheting is a rare knowledge today.
My black crocheted lace also discusses this but in a different way. Black is a colour that symbolizes death and mourning. I mourn the loss of knowledge. Society becomes much more narrow and boring and unfriendly without creativity, without crochet.
Yes, I know, there are other ways to be creative, one doesn’t have to crochet. The Point is: Stop consuming, start being creative!